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> I still don't know if the compression in the Loudness War was because of esthetics,

Upping the gain increases the relative "oomph" of the bass at the cost of some treble, right?

As a 90s kid with a bumping system in my Honda, I can confidently say we were all about that bass long before Megan Trainor came around. Everyone had the CD they used to demo their system.

Because of that, I think the loudness wars were driven by consumer tastes more than people will admit (because then we'd have to admit we all had poor taste). Young people really loved music with way too much bass. I remember my mom (a talented musician) complaining that my taste in music was all bass.

Of course, hip hop and rap in the 90s were really bass heavy, but so was a lot of rock music. RHCP, Korn, Limp Bizkit, and Slipknot come to my mind as 90s rock bands that had tons of bass in their music.

Freak on a Leash in particular is a song that I feel like doesn't "translate" well to modern sound system setups. Listening to it on a setup with a massive subwoofer just hits different.



> Korn

It wasn't the bass, but rather the guitar.

The bass player tuned the strings down a full step to be quite loose, and turned the treble up which gave it this really clicky tone that sounded like a bunch of tictacs being thrown down an empty concrete stairwell.

He wanted it to be percussive to cut through the monster lows of the guitar.




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