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> In Toy Story's case, the digital master should have had "correct" colors

Could it be the case that generating each digital master required thousands of render hours?



But the compensation for film should be a cheap 2-D color filter pass, not an expensive 3-D renering pass.


That's an invalid argument: Digitally tweaking color when printing film has nothing to do with how long it takes to render 3d.

They had a custom built film printer and could make adjustments there.




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