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From the article:

> On the surface, this atypical trait seems to explain quite well why I can draw a blank when asked to write the kanji for "plant" (植) from memory. I don't see the character in my mind, so it makes sense that I can't reproduce it on paper.

While the author's aphantasia may have posed some recall issues - it wouldn't explain why they had ever been able to reproduce 植. Kanji has the concept of radicals AND stroke order. One could make the case that perhaps the author's motor cortex is simply storing the equivalent of LOGO programming language instructions for reproducing the logograph.

Take away your mind's ability to find and chunk (木, 十, 具) by showing them "radical"-less characters and I'm sure it would be even more difficult.



As someone with aphantasia, I'm also not convinced that is the cause. I can draw better than average from memory, and used to be quite good but haven't practiced for many years.

There are also animators and artists with aphantasia[1].

My spatial recollection is particularly good - I can sketch out precise diagrammatic drawings from memory much better than I can do artistic drawings.

So while it's not impossible that not having aphantasia would've been a benefit to him, I don't think there's much evidence that it's has any big effect on the ability to draw - something that also fits Ed Catmull's experience on surveying his old employees in the article mentioned.

[1] https://www.bbc.co.uk/news/health-47830256


My wife has aphantasia, is fluent in Japanese, and writes the language better than many of our friends who still live there. She was just forced to learn the stroke order, etc when learning the language.

Aphantasia causes many odd issues for her but the ability to write complex languages or draw are not one of them.


Writing characters without knowing the radicals is kind of like spelling without really clearly understanding the alphabet. The stroke order is easy to remember, the radicals make the full characters easier to remember.




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