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For me, visualisation is related to memory recall. If someone asks me to imagine a scene, I'll run through memories of actual experiences and combine them where necessary to produce an approximation. For aural imagination, such as music composition, I imagine snippets of music I've heard, then combine them. There is a visual component to that, but it's symbolic, not vivid. If I need to imagine something I haven't experienced, it's like a combination of line drawings, animation and written and spoken language. It would look like a mess if I could project it. Colours are there, but they're not vivid. They're more like bad watercolours. If I take my time, I can clear up the image, and over time it becomes more vivid. This is actually how I write. It's a slow process, but it's the only way I can think clearly. I find social conversation difficult because it tends to move faster than my ability to visualise so I find it dull and uninspiring. I prefer to spend my time slow-reading literature.

Contextual conversations are ok, such as business or academic conversations, because the language is generally a closed set and visualisations are well practiced. But social situations can be without context, and difficult to navigate.



> If someone asks me to imagine a scene, I'll run through memories of actual experiences and combine them where necessary to produce an approximation.

When someone asks me to imagine a scene, I don't really do that. That scene with mountains, trees and a lake? It's like three labels just kinda being there... waiting to be updated based on what comes next.

But if I make a focused effort, I can sorta do it. I can recall seeing something which might look like that, and recall some visual aspects. Not super vividly, but something I could at least use as a basis to draw a sketch for example.

But just by default, those images from my memory seldom come up just reading something. I have to focus and spend time recollecting. But they never ever become vivid as in real life, not remotely close.




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