How is having cameras on every street corner that identify you based on your face and height and weight and gait and the clothes you're wearing and anything you're carrying, or the car you're driving by its license plate and make and model and color and tires/rims and any visible damage, accessories, etcetera, and taking all these data points and loading them into a database that cross-correlates them with your credit bureau data and bank records and purchase history and social media and other online activity and literally every single other scrap of available data everywhere, and builds a map of everything about you and everywhere you ever go and everything you do and have ever done, makes it trivially queryable by any law enforcement officer in the country with or without a valid reason, retains it all in perpetuity, and does all this for every single person in the country without consent or a warrant issued by a judge, different from a police department assigning an officer to tail you if you are suspected of being involved in a crime?
We are going to be in some serious fucking trouble if we can't tackle these issues of scale implied by modern information technology without resorting to disingenuous (or simply naive) appeals to these absurd equivalences as justification for each new insane escalation.
a) The vast, overwhelming majority of regular gamers who could potentially be convinced to try gaming on Linux truly do not give a shit about whatever line you're trying to draw here.
b) Driving widespread adoption of gaming on Linux is a chicken and egg problem---without a significant market of Linux gamers, developers and publishers have no reason to publish native versions of their games on Linux, and without games to play, nobody is going to install Linux on their gaming system. Proton directly solves the latter problem, and may indirectly solve the former when Linux sees widespread adoption by gamers.
> How much room for creativity is there with a camera? Angle, lighting, F-stop, film type, film processing?
How many subjects exist in the world to be photographed? How many journeys might one take to find them? How many stories might each subject tell with the right treatment?
> Serious AI artists will start tearing apart open models and changing how they work internally. They'll learn the math and how they work just like a serious photographer could tell you all about film emulsions and developing processes and how film reacts to light.
I agree that "AI art" as it exists today is not serious.
"AI art" today is mostly play, which is usually the first thing you get with new artistic tools. People just fool around with them in an un-serious way. There's also some porn. Porn is always early. It was one of the first uses for moving pictures, for example.
"The early adopters of new technologies are usually porn and the military." Forget where I heard that but it's largely true.
I think it's actually quite apt to look at all of "AI art" as a single piece, or suite, with a unified argument or theme. Maybe in that sense it is some kind of art, even if it wasn't intended that way by its creators.
Similarly, I'm not sure that argument is making the point those who deploy it intend to make.
I think the entire fear of AI schtick to farm engagement is little more than performance art for our FAANNG overlords personally. It behaves precisely like the right wing manosphere but with different daily talking points repeated ad nauseum. Bernie Sanders has smelled the opportunity here and really stepped up his game.
But TBF, performance art theatre is art as well.
The end game IMO will be incorporation of AI art toolsets into commercial art workflows and a higher value placed on 100% human art (however that ends up being defined) and then we'll find something new and equally idiotic to trigger us or else we might run out of excuses and/or scapegoats for our malaise.
> incorporation of AI art toolsets into commercial art workflows and a higher value placed on 100% human art
I don't even really believe serious artists need to totally exclude themselves from using genAI as a tool, and I've heard the same from real working artists (generally those who have established careers doing it). Unfortunately, that point inhabits the boring ideological center and is drowned out by the screaming from both extremes.
They aren't, but some are already using pseudonyms to experiment with it to avoid the haters condemning them for doing so. And their work is predictably far superior from the get-go to asking Sora to ghiblify your dog.
It is more useful to think about it in terms of what that effort actually entails.
If you haven't ever written a novel, or even a short story, you cannot possibly imagine how much of your own weird self ends up in it, and that is a huge part of what will make it interesting for people to read. You can also express ideas as subtext, through the application of technique and structure. I have never reached this level with any form of visual art but I imagine it's largely the same.
A prompt, or even a series of prompts, simply cannot encode such a rich payload. Another thing artists understand is that ideas are cheap and execution is everything; in practice, everything people are getting out of these AI tools is founded on a cheap idea and built from an averaging of everything the AI was trained on. There is nothing interesting in there, nothing unique, nothing more than superficially personal; just more of the most generic version of what you think you want. And I think a lot of people are finding that that isn't, in fact, what they want.
> they'll quickly be wondering if ChatGPT is worth this cost
They should be, and the answer is obviously no—at least to them. No political or business leader has outlined a concrete, plausible path to the sort of vague UBI utopia that's been promised for "regular folks" in the bullish scenario (AGI, ASI, etc.), nor have they convincingly argued that this isn't an insane bubble that's going to cripple our economy when AGI doesn't happen—a scenario that's looking more and more likely every day.
There is no upside and only downside; whether we're heading for sci-fi apocalypse or economic catastrophe, the malignant lunatics pushing this technology expect to be insulated from consequences whether they end up owning the future light-cone of humanity or simply enjoying the cushion of their vast wealth while the majority suffers the consequences of an economic crash a few rich men caused by betting it all, even what wasn't theirs to bet.
Everybody should be fighting this tooth and nail. Even if these technologies are useful (I believe they are), and even if they can be made into profitable products and sustainable businesses, what's happening now isn't related to any of that.
There's also potentially a substantial opportunity cost re: parity with China in the near to mid term even if we don't actually end up cancelling the next gen destroyer in favor of this thing: https://youtu.be/qvUbx9TvOwk
Private entities surveil you to make money off you or protect their property. Law enforcement surveils you to arrest you and charge you with crimes. These are not the same, and that's why some people care more about surveillance by law enforcement.
As an example, see the recent case of the woman who was arrested simply for driving through a town at the same time as a robbery occurred. That sort of thing is why people care.
If the data collection is performed by a private entity and then sold to the government, that is government surveillance. I agree that this is more widespread than Flock and other big names. However, Flock and its ilk currently stand to do far more damage in practice. They offer integrated turnkey solutions that are available to practically any law enforcement, from shithead chud officers in tiny shithole towns to the NYPD and all its grand history of institutionalized misconduct, and we are already seeing the effects of that.
See, also, the recent case of a teenager who was arrested because a Flock camera or similar thought a Doritos bag in his pocket was a gun. I'll let you guess what color his skin was.
The thing is every thing I listed is also used by law enforcement. There is nothing stopping them from turning everything into a dragnet. We already know they use ring cameras, cell phones, tower data, etc to build a dragnet. Flock is just another player.
To be honest flock seem like the perfect distraction from the larger surveillance state we live in. I feel like most of the writing I have seen on this acts like this some new, disgusting, pervasive thing. The truth is law enforcement has been using everything available because there’s nothing stopping them from subpoenaing or straight buying the data.
The larger problem is law enforcement needs to be curtailed (good luck unless we bust their union which the pro-union left won’t do), and then cameras need to be removed from phones and homes.
> you shouldn't have given away your work for free.
Almost none of the original work I've ever posted online has been "given away for free", because it was protected by copyright law that AI companies are brazenly ignoring, except where they make huge deals with megacorporations (eg openai and disney) because they do in fact know what they're doing is not fair use. That's true whether or not I posted it in a context where I expected compensation.
> Almost none of the original work I've ever posted online has been "given away for free", because it was protected by copyright law that AI companies are brazenly ignoring.
I just don't think the AI is doing anything differently than a human does. It "learns" and then "generates". As long as the "generates" part is actually connecting dots on its own and not just copy & pasting protected material then I don't see why we should consider it any different from when a human does it.
And really, almost nothing is original anyway. You think you wrote an original song? You didn't. You just added a thin layer over top of years of other people's layers. Music has converged over time to all sound very similar (same instruments, same rhythms, same notes, same scales, same chords, same progressions, same vocal techniques, and so on). If you had never heard music before and tried to write a truly original song, you can bet that it would not sound anything like any of the music we listen to today.
Coding, art, writing...really any creative endeavor, for the most part works the same way.
Conjecture on the functional similarities between LLMs and humans isn't relevant here, nor are sophomoric musings on the nature of originality in creative endeavors. LLMs are software products whose creation involves the unauthorized reproduction, storage, and transformation of countless copyright-protected works—all problematic, even if we ignore the potential for infringing outputs—and it is simple to argue that, as a commercial application whose creators openly tout their potential to displace human creators, LLMs fail all four fair use "tests".
I don't know what he did, but I gave gemini-cli the url and asked for a script. The LLMs are pretty good at this sort of simple but tedious implementation.
True if you think the images have no value, nor the time I saved by "outsourcing" the work, but writing the kind of trivial web scraper I've written N times before somehow does.
We are going to be in some serious fucking trouble if we can't tackle these issues of scale implied by modern information technology without resorting to disingenuous (or simply naive) appeals to these absurd equivalences as justification for each new insane escalation.
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