True to an extent, but records are great promotional tool, and rather expensive to make if you don't want it to sound like poop. Perhaps something like $10-25k on the very low end for something half-way "serious", and that's assuming you're not going all Chinese Democracy and can actually cut the thing in a week or so. Then it has to mixed, mastered, art prepared, etc.
Most small-medium time artists can't afford to front all the expenses. If no one buys the records, no record company will give the band an advance. Even if most records don't really generate any direct profit for the band, getting the production bankrolled is a pretty big benefit.
There’s a difference between something inherent to a process, and something added for basically for marketing reasons that has minimal/no positive effect in actual functionality.
Yeah I agree. Don't tell me you authored something when claude did the majority of the writing. Use claude if you want, but don't pretend you wrote the content when you didn't.
I also hate this style of plastic, pre-digested prose. Its soulless and uninteresting. Maybe I've just read too much AI slop. I associate this writing style with low quality, uninteresting junk.
Why the simutrans folks decided on a weird hardcoded frame rate (40fps) that looks janky as hell on every single display ever I will never understand. Unplayable. instant motion sickness.
It sounds to me like a product of the ‘90s. CRTs were still common, and they support essentially arbitrary fixed refresh rates. It wouldn’t have been a big deal at the time. It’s like how the original Doom runs at a native 35fps when you don’t use interpolation.
I haven’t played simultrans, but I wonder if it feels less janky on a 120 Hz or 240 Hz monitor, since both of those values are evenly divisible by 40. Compared to playing on a 60 Hz display or other non-multiple of 40 refresh rate monitors.
Ever heard of little games called Diablo 1 and 2? People spent billions of hours playing those on displays with framerates faster than 25 for 2 decades.
Their definition of "app store" is a mile wide: "(e) (1) “Covered application store” means a publicly available internet website, software application, online service, or platform that distributes and facilitates the download of applications from third-party developers to users of a computer, a mobile device, or any other general purpose computing that can access a covered application store or can download an application."
Grats, github is an appstore. apt-get is an app store. You posting software on your own website is an app store.
GitHub isn’t an app stores associated with an operating system though. Your personal website is most likely not in scope. You have to put all the pieces together.
Apt… yes is an App Store run by an operating system organization (Debian org). That feels pretty unsurprising. Debian’s parent organization (headquartered in the US) probably needs to comply with this.
> Apt… yes is an App Store run by an operating system organization (Debian org). That feels pretty unsurprising. Debian’s parent organization (headquartered in the US) probably needs to comply with this.
And that right there is exactly the fucking problem. A zero profit collective “store” that publishes zero profit hobbyist “apps” is now going to have to invest in some kind of harebrained compliance scheme that will only grow from here.
In a couple of years is my “app” in Debian’s store going to require some goddamn TPS report and certification to tell California that everything is above board? It’s incredibly likely! By itself this law does nothing but lay the groundwork for regulation of “apps”, which by itself might be acceptable, but including FOSS distribution channels and hobby apps in the scope of this law is nothing short of evil. It’s laying the groundwork for a frontal assault on FOSS, and if you don’t see that then I don’t know what to tell you.
My guess is that Linux wasn’t extensively considered in the writing of this law, but when the next stage comes along and people start complaining, legislators will shrug and say “oh well, they need to comply”—and lobbyists for the big 3 proprietary software firms will back that position up. This is setting up a killshot for consumer Linux.
No, fighting a war requires only engaging in international armed conflict.
Declaring a war requires Congress, and fighting a war other than in response to an invasion may be illegal under US law if Congress has not exercised its power to declare war, but that doesn't prevent wars from happening it just makes it illegal (though the only actual remedy is impeachment) for the President to wage war without authorization. And, in any case, that’s largely moot because Congress has exercised that power in an open ended (in terms of when and against whom) but limited (in authorized duration of any particular action without subsequent authorization) manner via the War Powers Act, giving every President since Nixon a blank check to start wars with full legal authority and then allow Congress an opportunity to vote to pull support from forces already in combat and hope the enemy already engaged is willing to treat the war as over as the only after-the-fact constraint.
And also that many of the channels people were insisting they don't want were actually paying for coverage, not charging for it. (Home shopping, religion, etc)
Most small-medium time artists can't afford to front all the expenses. If no one buys the records, no record company will give the band an advance. Even if most records don't really generate any direct profit for the band, getting the production bankrolled is a pretty big benefit.
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